https://www.hoiszn.com/read daily 0.75 2025-11-11 https://www.hoiszn.com/read/hoiszn-007-launch-party monthly 0.5 2025-11-11 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/b9828473-bd32-42a6-9d46-c089cca1dfde/IMG_0889.JPG Read - 007 The Experimental Issue launch party recap - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/d4d75af5-6704-4076-95f1-3d6da4f7d977/IMG_0860.JPG Read - 007 The Experimental Issue launch party recap - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/caed08af-f929-427f-bafb-ed1f38829b69/IMG_0873.JPG Read - 007 The Experimental Issue launch party recap - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1762859765366-Q2311XN7597N1I3JPK4K/IMG_0811.JPG Read - 007 The Experimental Issue launch party recap https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1762859768779-FP8QGDRCPTLRUS25J84L/IMG_0818.JPG Read - 007 The Experimental Issue launch party recap https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1762859926102-8W4XR43JY7ER81K7Z2UM/IMG_0856.JPG Read - 007 The Experimental Issue launch party recap https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1762859937879-H07KI08OV02WWAH74QU2/IMG_0895.JPG Read - 007 The Experimental Issue launch party recap https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1762859933453-01DUPVUQPUV66W402124/IMG_0886.JPG Read - 007 The Experimental Issue launch party recap https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1762859929189-23YHQ5HUB92UWWCT5PA7/IMG_0868.JPG Read - 007 The Experimental Issue launch party recap https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1762859774381-0E5AB2YYPGIACTQWKO39/IMG_0913.JPG Read - 007 The Experimental Issue launch party recap https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1762859999554-9P17PLEC1ED5FVB7GQFU/IMG_0900.JPG Read - 007 The Experimental Issue launch party recap https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1762859999192-UKV0FU1P04JHODUQK826/IMG_0905.JPG Read - 007 The Experimental Issue launch party recap https://www.hoiszn.com/read/apply-for-hoiszn-008-the-love-issue monthly 0.5 2025-11-08 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/23c7ec05-b648-4ab4-a583-d25c25a6cad3/HOISZN+008+applications+banner.jpg Read - Apply for HOISZN 008 the love issue - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/c477d278-def8-4e5a-9851-7d885cb79bde/008+Inspiration.png Read - Apply for HOISZN 008 the love issue - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/ffac7df6-c70b-4759-aa7f-9377b85b39a4/008+End+pic.png Read - Apply for HOISZN 008 the love issue - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hoiszn.com/read/interview-with-mei-yee monthly 0.5 2025-11-05 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/f0a27584-95f5-4473-89e1-ea1bdd1e559c/Picture1+-+Mei+Yee+Chin.png Read - Interview with Mei Yee - Make it stand out Artwork by Mei Yee Chin https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/4b9fe43a-1829-4e68-90ed-d6639d043b11/Picture2+-+Mei+Yee+Chin.png Read - Interview with Mei Yee - Make it stand out Artwork by Mei Yee Chin https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/a602efd4-76dc-4041-b397-4d8fc6ea240f/Picture3+-+Mei+Yee+Chin.png Read - Interview with Mei Yee - Trades & Trinkets Artwork by Mei Yee Chin https://www.hoiszn.com/read/rhythms-of-home monthly 0.5 2025-11-11 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/9f8e7973-ec80-4d80-88b7-0bac6c1a8f98/Screenshot+2025-11-11+at+10.28.57%E2%80%AFpm.png Read - Rhythms of home - Make it stand out Chau Tran Rhythms of home, 2025, fineliner and marker on paper. https://www.hoiszn.com/read/finding-home-at-the-indian-grocer monthly 0.5 2025-11-11 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/d8df97e3-f146-4c8f-bc89-db02a32c5704/hoiszn-11.jpg Read - Finding home at the Indian Grocer - Make it stand out Chris Moso Indian Grocer, 2025, film photography. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/e377715d-d592-4f0a-96ab-88458cc22fed/hoiszn-1.jpg Read - Finding home at the Indian Grocer - Make it stand out Chris Moso Indian Grocer, 2025, film photography. https://www.hoiszn.com/read/the-mundane-issue-is-officially-launched monthly 0.5 2025-11-11 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1aaf4a00-ccf3-460d-a711-1754310fdb47/IMG_3143.jpg Read - The mundane issue is officially launched - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/887c5991-ac92-4bbe-a226-933eb3339e74/IMG_3139.jpg Read - The mundane issue is officially launched - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1753796355230-L0SGXG7A8TJABY0RQ36A/IMG_3148.jpeg Read - The mundane issue is officially launched https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1753796386791-AC2EVK8P39X57SVHWXPH/grdr+2025-07-26+135136.799.JPG Read - The mundane issue is officially launched https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1753796355888-8ZU13D4JJX3SNZGYQTTO/IMG_3153.jpeg Read - The mundane issue is officially launched https://www.hoiszn.com/read/apply-for-hoiszn-007-the-experimental-issue monthly 0.5 2025-11-08 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1e26bc05-48d4-4c84-9318-7b74d7724c39/HOISZN+007+applications+banner+2.jpg Read - Apply for HOISZN 007 the experimental issue - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1750839985237-0FQFGA1QHLA1M2M5YUFW/007+Applications+3.png Read - Apply for HOISZN 007 the experimental issue https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1750839997293-RRRP0IQF1KML3DYZAS51/007+Applications+4.png Read - Apply for HOISZN 007 the experimental issue https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/11741f01-2b6a-48c9-8115-80b0abd4da8b/007+Applications+7.png Read - Apply for HOISZN 007 the experimental issue - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hoiszn.com/read/blog-post-title-four-724ls-2sprr-axst6-e3j94-kdred monthly 0.5 2025-11-11 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/76d58ada-a790-40de-8a28-55565943a18d/HK-style+cafe_.jpg Read - Home is where the art is - Make it stand out Littlory Designs Hong Kong Style Cafe, 2023, digital art. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1f3e96e3-fd3e-4088-91c2-be9448a8cffb/Untitled_Artwork-139.png Read - Home is where the art is - Make it stand out Littlory Designs Hong Kong Night, 2023, digital art. https://www.hoiszn.com/read/blog-post-title-four-724ls-2sprr-axst6-e3j94 monthly 0.5 2025-04-25 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/878b6da1-4b02-41fa-8c20-582cb354cf93/Forever_Moving.png Read - The grieving of home - Make it stand out Mel Dineli Forever Moving, 2024, digital artwork https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/c44147c1-de4a-4cce-b5a3-ae56ec002165/To_Feel_At_Home.png Read - The grieving of home - Make it stand out Mel Dineli To Feel at Home, 2024, digital artwork https://www.hoiszn.com/read/blog-post-title-four-724ls-2sprr-axst6-y3hn7 monthly 0.5 2025-04-25 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/ecfb6cd2-3f2b-42c4-9900-4f9f742de052/Collage+by+Christine+Chan.jpg Read - What we carry with us - Make it stand out Lin Jie Kong and Jennifer Wong with their book Chopsticks or Fork? https://www.hoiszn.com/read/blog-post-title-four-724ls-2sprr-axst6 monthly 0.5 2025-04-25 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/26d1b77e-d75e-4576-8df1-80e7fa370e19/_I5A6160.jpg Read - Chopsticks or Fork? - Make it stand out Lin Jie Kong and Jennifer Wong with their book Chopsticks or Fork? https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745559068468-40FMRGMYIH30N7OII819/_I5A0737.jpg Read - Chopsticks or Fork? https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745559071698-YRCOLUD4VF7L43HEGQDR/_I5A4090.jpg Read - Chopsticks or Fork? https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745559065307-G2VPORW3VAK5JBZYNFYO/IMG_3774.jpg Read - Chopsticks or Fork? https://www.hoiszn.com/read/blog-post-title-four-724ls-2sprr-n7k7h-949mx monthly 0.5 2025-05-01 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/7178e050-306b-4f77-bab3-6721df1e0d9d/HOISZN+Issue+5-spread+11.jpg Read - On Dizplay 005 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745542573259-ZWH2UOQ1CRSAP3OFXEZX/cacc-01.jpg Read - On Dizplay 005 - Zoomies Con Ăn Cơm Chưa 2023, digital artwork Accompanied with a Vietnamese cookbook, this artwork was created as a gift + love letter to a new-found Vietnamese friend who was soon moving to Naarm (Melbourne). / Memories of Nhà Cửa Xưa (Old Home)/ Past Love: My mother's favourite flower, the hoa lan (orchid), decorates a plate. It speaks, "Con Ăn Cơm Chưa" (have you eaten (rice) yet) — an expression of love commonly uttered by Cha và Mẹ (Dad and Mum). The abstract floral form doubly represents a fracture on the ceramic vessel. Absent and estranged, the conversation between fading form and the white space dissolve into one. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745538721690-3J9LK770F2NV47DGGVJC/Kspaze1+240824+daydream+3+small.png Read - On Dizplay 005 - Kspaze1 Daydream 2024, digital illustration 'Daydream' portrays time, space, and stillness as catalysts. As an ex-nomad who left home at an early age, I developed a different definition of 'home'. I regard 'home' as a recovery base for the mind and the soul, reflecting the days of hustling in overseas countries to sustain my passion for arts. I love going back to my room and dig into the arts, cleansing my anxiety and depression. I love staying indoor and have my own mental space and time. A tranquil environment for recovery and creativity creates what I call 'home'. Having said so, my first definition of 'home' is still a hub of family and love. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745538909580-3I0STZ9N8K4207ZL1C5G/seewrong+-+Day+Day+Up+Shallots+v0.2.png Read - On Dizplay 005 - seewrong Day, Day Up 2021, digital drawing It is not uncommon to hear that growing up Asian, children of the diaspora often rejected aspects of the home(life) of their upbringing. When I moved out it was those exact things I found myself searching for to bring me comfort as I navigated being on my own. ‘Day, Day Up’ is a celebration of all the things we felt awkward about in the homes our parents built for us – like growing spring onions from offcut roots – and embracing those very things to make the places we live in without them, feel like just that – a home. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745539419066-19RRYNUDCXYC1GQCORSZ/1.+jjjjjdo_TuoiHong+-+Jess+Do.jpg Read - On Dizplay 005 - jjjjjdo Tuổi Hồng (The Rosy Years) 2024, digital art on 35mm film photography Jess grew up in Ho Chi Minh City (Sai Gon) and immigrated to Australia with her family in 2009. 'Tuổi Hồng (The Rosy Years)' consists of film photographs that were taken during her recent trip to Vietnam. Throughout her visit, she experienced a range of emotions while seeing both new and familiar places and faces. The trip sparked deep reflections on her upbringing in Vietnam and the different trajectories her life might have followed. She revisits her childhood by integrating illustrations of herself wearing clothing that she wore as a child into these photographs, curious and longing for where she once called home. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745539660369-G1YNR5T7IC6L8CF2QTRQ/jjjjjdo_vietnam_1+-+Jess+Do.JPG Read - On Dizplay 005 - jjjjjdo Vietnam 2024, 35mm film photography Film photographs of Vietnam taken in 2024 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745539661311-0LQEAAFK9I44ZFIUUJJS/jjjjjdo_vietnam_2+-+Jess+Do.JPG Read - On Dizplay 005 - jjjjjdo Vietnam 2024, 35mm film photography Film photographs of Vietnam taken in 2024 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745539718743-S7U8SR1HU6MEC0B9H09S/jjjjjdo_vietnam_3+-+Jess+Do.JPG Read - On Dizplay 005 - jjjjjdo Vietnam 2024, 35mm film photography Film photographs of Vietnam taken in 2024 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745539717479-BJ9OMDE9PCSQK7M9HZ4Y/jjjjjdo_vietnam_4+-+Jess+Do.JPEG Read - On Dizplay 005 - jjjjjdo Vietnam 2024, 35mm film photography Film photographs of Vietnam taken in 2024 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745539847408-B41CN277C9IVE3FGFWG0/HeartwarmingDinner2+-+Jennifer+Hoang.JPG Read - On Dizplay 005 - Jennifer Hoang Heartwarming Dinner 2024, photography and acrylic engraving "Xin mời" — I invite you to the table to share this meal with us. 'Heartwarming Dinner' reflects the connections that we forge over food, no matter where we are. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745539849721-SQGXD6SWOAY2LLD9WOM4/HeartwarmingDinner3+-+Jennifer+Hoang.JPG Read - On Dizplay 005 - Jennifer Hoang Heartwarming Dinner 2024, photography and acrylic engraving "Xin mời" — I invite you to the table to share this meal with us. 'Heartwarming Dinner' reflects the connections that we forge over food, no matter where we are. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745540683618-XINYE8W0J5K6UWOF1PAZ/Deeper+Connection+-+Angel+Vo.png Read - On Dizplay 005 - VeevoDesigns Deeper Connection 2024 | digital art Growing up with the smell of incense was one of the most powerful sensory experiences I had. I remember watching my mother light a flame to burn incense before joining her hands to pray. Burning incense sticks serves as a bridge between this life and the spiritual world, welcoming loved ones and ancestors into our home. This would instantly make me feel grounded when my home was chaotic growing up. Home as a child and home as an adult have different meanings to me. As a child, I was afraid of my home. It was a place of conflict, disappointment, and uncertainty. As an adult, I've been able to create a space and call it home by bringing back aspects of my childhood that made me happy: the rice cooker, the broom and dustpan, all of the different teas and their uses, and, of course, the incenses. Incense is now used to mark important occasions at home such as weddings and birthdays. So every time I smell the scent of incense, it reminds me that home is what I make it, and it is a happy and safe place for me. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745540723415-FAOD5OG8I2CTCHTABMRF/Shirley+Zhuo+Lucky+candy+box.jpg Read - On Dizplay 005 - Shirley Zhuo Lucky Candy Box 2024, digital art The “Lucky Candy Box” is a cherished Lunar New Year tradition in Shirley's family, filled with a mix of traditional Asian sweets, Australian lollies, and Ferrero Rochers to share with loved ones. It serves as a sweet reminder to celebrate home, family and heritage. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745540872637-E1TH51O3VC62HCV6B85S/love+me+right+%28cropped+full+resolution%29+copy.jpg Read - On Dizplay 005 - Hannah Emeagi Love me right 2024, mixed media collage These artworks I’ve created revolve around my personal feelings about love, heartbreak and navigating the pain of the unknown in visual diary format. Both 'love me right' and 'Pain' were created in the comfort of a home — whether it was mine or my close friends — where I was able to allow my soul to be free to roam and express itself with the resources around me. Magazines, cards, receipts, stickers, leaves.. etc. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745540873263-M6T9DRPARINN3Y6QFFKS/PAIN%21+%28high+resolution+cropped%29+copy.jpg Read - On Dizplay 005 - Hannah Emeagi PAIN! 2024, mixed media collage These artworks I’ve created revolve around my personal feelings about love, heartbreak and navigating the pain of the unknown in visual diary format. Both 'love me right' and 'Pain' were created in the comfort of a home — whether it was mine or my close friends — where I was able to allow my soul to be free to roam and express itself with the resources around me. Magazines, cards, receipts, stickers, leaves.. etc. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745448857427-XKFG54VAAR6QL46DUSYP/Ali+mai+bep_lua_blububu+-+Ali+Mai.png Read - On Dizplay 005 - blububu Bếp Lửa – The Fire Stove 2024, digital art Bếp Lửa is an illustration of my most memorable moment with my grandma. I knew she always woke up every 4 in the morning to prepare for a new day, starting with the fire stove. One night, when I was around 4 or 5, I was awake at the same time my grandma did, so I followed her even though she told me to go back to sleep, but of course, I didn't listen and was so excited to help her with chores, especially starting the fire stove. I loved watching and keeping the fire alive while it was boiling the water. Other than that, I feel like my entire life, home is where my grandma, aunties, and my dad, gathered in my grandma's house doing chores while either I was guarding the fire stove, messing with the chickens, walking my dog, or playing with the bugs. Overall, it is so weird and unusual, yet the fire stove has a strong connection to my home. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745541540265-X0VXW9Z3I1YT3ZIJJE9K/brandonkim-3.jpg Read - On Dizplay 005 - Brandon (Byeongbeom) Kim My memories in Seoul 2024, photography These were all taken in my hometown of Seoul, Korea. I was born and raised there until I moved to Melbourne at 20, and what I’ve captured reflects the deeper cultural heritage that shaped my upbringing. From grandpas playing chess on makeshift chairs made from old fridges thrown out on the streets, tin chimneys, red painted gates, and nameplates that have been staples of Korean households since the 70s and 80s, to a small supermarket run by a 할머니 (grandmother) that doubles as the living room of her home.. You’ll still find these in Seoul’s older neighborhoods, though they are at risk of disappearing. ‘Korea’ as a ‘home’ to me isn’t the flashy, modern side of the country. This is the Korea I grew up in. It’s not just home in the physical sense, but a reflection of the culture, community, and visuals that have surrounded me. I hope these images resonate with the theme of home as deeply as they do with me. Thank you. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745541531736-Q3RVJSB67C5FLH5TZANH/brandonkim-extra-13.jpg Read - On Dizplay 005 - Brandon (Byeongbeom) Kim My memories in Seoul 2024, photography These were all taken in my hometown of Seoul, Korea. I was born and raised there until I moved to Melbourne at 20, and what I’ve captured reflects the deeper cultural heritage that shaped my upbringing. From grandpas playing chess on makeshift chairs made from old fridges thrown out on the streets, tin chimneys, red painted gates, and nameplates that have been staples of Korean households since the 70s and 80s, to a small supermarket run by a 할머니 (grandmother) that doubles as the living room of her home.. You’ll still find these in Seoul’s older neighborhoods, though they are at risk of disappearing. ‘Korea’ as a ‘home’ to me isn’t the flashy, modern side of the country. This is the Korea I grew up in. It’s not just home in the physical sense, but a reflection of the culture, community, and visuals that have surrounded me. I hope these images resonate with the theme of home as deeply as they do with me. Thank you. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745541582577-MXJXW1OCGCRTIUG8QWVT/brandonkim-4.jpg Read - On Dizplay 005 - Brandon (Byeongbeom) Kim My memories in Seoul 2024, photography These were all taken in my hometown of Seoul, Korea. I was born and raised there until I moved to Melbourne at 20, and what I’ve captured reflects the deeper cultural heritage that shaped my upbringing. From grandpas playing chess on makeshift chairs made from old fridges thrown out on the streets, tin chimneys, red painted gates, and nameplates that have been staples of Korean households since the 70s and 80s, to a small supermarket run by a 할머니 (grandmother) that doubles as the living room of her home.. You’ll still find these in Seoul’s older neighborhoods, though they are at risk of disappearing. ‘Korea’ as a ‘home’ to me isn’t the flashy, modern side of the country. This is the Korea I grew up in. It’s not just home in the physical sense, but a reflection of the culture, community, and visuals that have surrounded me. I hope these images resonate with the theme of home as deeply as they do with me. Thank you. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745541463496-6LYW5RX1FVBDWGILSZ9I/brandonkim-1.jpg Read - On Dizplay 005 - Brandon (Byeongbeom) Kim My memories in Seoul 2024, photography These were all taken in my hometown of Seoul, Korea. I was born and raised there until I moved to Melbourne at 20, and what I’ve captured reflects the deeper cultural heritage that shaped my upbringing. From grandpas playing chess on makeshift chairs made from old fridges thrown out on the streets, tin chimneys, red painted gates, and nameplates that have been staples of Korean households since the 70s and 80s, to a small supermarket run by a 할머니 (grandmother) that doubles as the living room of her home.. You’ll still find these in Seoul’s older neighborhoods, though they are at risk of disappearing. ‘Korea’ as a ‘home’ to me isn’t the flashy, modern side of the country. This is the Korea I grew up in. It’s not just home in the physical sense, but a reflection of the culture, community, and visuals that have surrounded me. I hope these images resonate with the theme of home as deeply as they do with me. Thank you. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745541614685-UQRQL1R66APCC470PPI4/brandonkim-5.jpg Read - On Dizplay 005 - Brandon (Byeongbeom) Kim My memories in Seoul 2024, photography These were all taken in my hometown of Seoul, Korea. I was born and raised there until I moved to Melbourne at 20, and what I’ve captured reflects the deeper cultural heritage that shaped my upbringing. From grandpas playing chess on makeshift chairs made from old fridges thrown out on the streets, tin chimneys, red painted gates, and nameplates that have been staples of Korean households since the 70s and 80s, to a small supermarket run by a 할머니 (grandmother) that doubles as the living room of her home.. You’ll still find these in Seoul’s older neighborhoods, though they are at risk of disappearing. ‘Korea’ as a ‘home’ to me isn’t the flashy, modern side of the country. This is the Korea I grew up in. It’s not just home in the physical sense, but a reflection of the culture, community, and visuals that have surrounded me. I hope these images resonate with the theme of home as deeply as they do with me. Thank you. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745541640921-QDM17PY0AB2FENF1YX9B/brandonkim-extra-3.jpg Read - On Dizplay 005 - Brandon (Byeongbeom) Kim My memories in Seoul 2024, photography These were all taken in my hometown of Seoul, Korea. I was born and raised there until I moved to Melbourne at 20, and what I’ve captured reflects the deeper cultural heritage that shaped my upbringing. From grandpas playing chess on makeshift chairs made from old fridges thrown out on the streets, tin chimneys, red painted gates, and nameplates that have been staples of Korean households since the 70s and 80s, to a small supermarket run by a 할머니 (grandmother) that doubles as the living room of her home.. You’ll still find these in Seoul’s older neighborhoods, though they are at risk of disappearing. ‘Korea’ as a ‘home’ to me isn’t the flashy, modern side of the country. This is the Korea I grew up in. It’s not just home in the physical sense, but a reflection of the culture, community, and visuals that have surrounded me. I hope these images resonate with the theme of home as deeply as they do with me. Thank you. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745541664864-GGUT9XN7V0S2GP19WUEU/brandonkim-extra-21.jpg Read - On Dizplay 005 - Brandon (Byeongbeom) Kim My memories in Seoul 2024, photography These were all taken in my hometown of Seoul, Korea. I was born and raised there until I moved to Melbourne at 20, and what I’ve captured reflects the deeper cultural heritage that shaped my upbringing. From grandpas playing chess on makeshift chairs made from old fridges thrown out on the streets, tin chimneys, red painted gates, and nameplates that have been staples of Korean households since the 70s and 80s, to a small supermarket run by a 할머니 (grandmother) that doubles as the living room of her home.. You’ll still find these in Seoul’s older neighborhoods, though they are at risk of disappearing. ‘Korea’ as a ‘home’ to me isn’t the flashy, modern side of the country. This is the Korea I grew up in. It’s not just home in the physical sense, but a reflection of the culture, community, and visuals that have surrounded me. I hope these images resonate with the theme of home as deeply as they do with me. Thank you. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745448887801-1CS1DIYSYP4PK9EIMV0S/MOJO+IMG_8377+-+Mojo.jpeg Read - On Dizplay 005 - Mojo Garden of eden 2023, acrylic and gesso on canvas Garden of eden is an acrylic on canvas piece that details the concept of hanging fruit and it being reflected in waters underneath. It is a piece inviting the viewer to go on a journey of reflection regarding the identity of self inside and outside the home. The red hanging fruit denotes the true identity of self, while the reflected and inverted purple fruit denotes the changed identity that is portrayed outside the home. The piece was created as a display of the experience people of ethnic culture experience inside and outside their homes, and how often their identities are torn from being their true selves and portraying someone else outside. The duality of the colours and the fruit invite the viewer to establish that the whole self, real and reflected, is the home, which is found through reflection. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745538436465-A9PWETHZFGQPMF2FLHF1/Screenshot+2025-04-25+at+9.46.19%E2%80%AFam.png Read - On Dizplay 005 - Bingbohmon The Mage's Loot drop 2024, digital illustration Inspired by the immersive worlds of role-playing video games, The Mage's Loot Drop delves into the significance of the trinkets and treasures we collect throughout life, and how they shape our identity. Using a nostalgic retro gaming interface, the artist reimagines the concept of "home"—not as a place or a feeling, but as the items we carry with us and the emotions they evoke. The Mage character, central to the piece, draws comfort from cherished objects like a candelabra to light her path, tarot cards to guide her journey, and a pomegranate to restore her vitality. Just as in an RPG, if the Mage falls, her precious loot is left behind, a reminder that our most personal possessions reflect our journey. Whether it's a beloved heart-shaped trinket or a whimsical Sonny Angel figurine, the inventory we carry becomes our home—each item a fragment of the self, a symbol of survival, adventure, and belonging. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745448979789-1GS25Z6DP9NQ19ZFLLDK/HATAUI+Attachment%2C+Affection%2C+Collection_High-Res.png Read - On Dizplay 005 - Hataui Attachment, Affection, Collection 2024, mixed media I love collecting. My house is filled with various collections of figures, photos, artwork, 2nd-hand trinkets, etc., whether from me or gifts people have given me. For me, to collect is to hold memories; each item I collect contains a specific memory or story, and I become very attached to everything I collect. ‘Attachment, Affection, Collection’ is created with digital illustration, photography, and photo-copied stickers (from my collection). It was inspired by some of my largest collections: keychains, figures, and stickers. I’ve never been shy about expressing how much of an avid collector I am, and I wanted to pay homage to the top three favourite things I love to collect. My hobby of collecting keychains, figures, and stickers has allowed me to connect and meet like-minded people and communities and is a way to express myself and my interests openly; if you ask me what/where ‘home’ is, home isn’t just limited to the roof I live under, but by the communities I’m in because of my love of collecting. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745448916150-EJYZJB0T96SRPIXTKY3W/Ria+Wan+Screenshot_20241020_115336_Gallery+-+R+W.jpg Read - On Dizplay 005 - Pui 'Ria' Wan My Strawberry Home 2024, digital collage My recent relocation to Melbourne has prompted a desire to create a cosy and inviting home that reflects my personal aesthetic and emotional state. The vibrant colours and comforting nostalgia of strawberries have emerged as a central theme, evoking happy memories of Christmases spent with family and providing a sense of comfort and familiarity in my new surroundings. The strawberry's red and green hues not only add a playful and festive touch to my apartment but also symbolise the joy and warmth I associate with the holiday season. While I no longer have contact with my family, the memories of those cosy gatherings remain cherished. By transforming my space into a strawberry-themed sanctuary, I aim to recreate the same sense of love, joy, and cosiness that I experienced during childhood. This project has become more than just a decorative endeavour. It has served as a means of exploring my emotional landscape and finding solace in the midst of change. As I have delved deeper into the strawberry theme, I have realised that it represents a longing for the past and a desire to create a sense of belonging in my new life. Through this creative process, I hope to not only transform my living space but also to heal and grow as an individual. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745448862437-VZATJE9EH27PZ6I2FDCJ/Megan+Choo+Familiarity.jpg Read - On Dizplay 005 - Shuen Megan Familiarity 2024, lino print The artwork abstracts the ideas of family, which to me is my home. I am tied to my cultural identity, my location, and who I am, but my family is my comfort. The larger sharp central star is representative of myself and my own turmoil as I grow and live my life as a young person. The contrasting organic shapes aim to represent my family which brings calmness and peace to my life, as they ground me and acts as my relief in the expansiveness of my life. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745448837810-D7ZALLXKAX9M8NEMGM0D/Chiu+IMG_1059+-+511+%D9%85%D8%B1%DB%8C%D9%85chiu.jpeg Read - On Dizplay 005 - Chiu My one bed room castle 2024, digital illustration 私にとって家は、プライバシーが確保されている、一番ダサい姿になれる場所。 スーパーヒーローが家の中や信頼している人の前でだけ本来の自分になれるように、私も電車に乗ったり外を歩いているときはまともな人間のふりをしているが、家にいるときはただ1人の人間、少しだけ社会性を持ったただの動物としてそこに存在できると感じる。 To me the home is the place with privacy, where I can be the ugliest version of myself. Like superheroes can be their true self in their house or in front of people they trust. When I am on the train or walking outside I pretend to be a proper adult, but when I’m in my home I can exist as a human / animal. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745541770774-M4PS3O13MU03T59X52HN/IMG_1322+-+Charmaine.jpg Read - On Dizplay 005 - Charmaine Hung HongKongese Speaking 2023, trinket box Having been born in a small village in Hong Kong and moving to Melbourne at the age of 13, my early years were shaped by the sights, sounds, and culture of Hong Kong, while my young adulthood unfolded in Melbourne. Sometimes, I feel caught between these two places—connected to both, yet distant from each. Straddling two worlds, I often wonder: What makes a home? Is it the roots I left behind, or the new life I've built here? This question of home is what inspired my art piece, Hongkongese Speaking. The custom-made trinket box, designed as a time capsule, represents the memories and traditions we carry with us. It explores the concept of home through the preservation of language and heritage. Inside, I advocate for the preservation of Traditional Chinese as Hong Kong’s written language system, emphasising how language ties us to our roots. For me, home is not just a physical place but a connection to the culture, memories, and identity we carry with us. This piece reflects how those elements define where we truly belong, no matter where life takes us. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745541769297-WZWCS7B6YNGZXH7XGTKV/IMG_1325+-+Charmaine.jpg Read - On Dizplay 005 - Charmaine Hung HongKongese Speaking 2023, trinket box Having been born in a small village in Hong Kong and moving to Melbourne at the age of 13, my early years were shaped by the sights, sounds, and culture of Hong Kong, while my young adulthood unfolded in Melbourne. Sometimes, I feel caught between these two places—connected to both, yet distant from each. Straddling two worlds, I often wonder: What makes a home? Is it the roots I left behind, or the new life I've built here? This question of home is what inspired my art piece, Hongkongese Speaking. The custom-made trinket box, designed as a time capsule, represents the memories and traditions we carry with us. It explores the concept of home through the preservation of language and heritage. Inside, I advocate for the preservation of Traditional Chinese as Hong Kong’s written language system, emphasising how language ties us to our roots. For me, home is not just a physical place but a connection to the culture, memories, and identity we carry with us. This piece reflects how those elements define where we truly belong, no matter where life takes us. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1745541772046-GS2HT2QA95UF3RLNIPDI/IMG_1341+-+Charmaine.jpg Read - On Dizplay 005 - Charmaine Hung HongKongese Speaking 2023, trinket box Having been born in a small village in Hong Kong and moving to Melbourne at the age of 13, my early years were shaped by the sights, sounds, and culture of Hong Kong, while my young adulthood unfolded in Melbourne. Sometimes, I feel caught between these two places—connected to both, yet distant from each. Straddling two worlds, I often wonder: What makes a home? Is it the roots I left behind, or the new life I've built here? This question of home is what inspired my art piece, Hongkongese Speaking. The custom-made trinket box, designed as a time capsule, represents the memories and traditions we carry with us. It explores the concept of home through the preservation of language and heritage. Inside, I advocate for the preservation of Traditional Chinese as Hong Kong’s written language system, emphasising how language ties us to our roots. For me, home is not just a physical place but a connection to the culture, memories, and identity we carry with us. This piece reflects how those elements define where we truly belong, no matter where life takes us. https://www.hoiszn.com/read/blog-post-title-four-724ls-2sprr-n7k7h monthly 0.5 2025-04-23 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/02b4b7a8-bff7-4505-8783-12cfdebdab40/Image+06_Leanne+Choi_Green+Suitcase+Dress_PMFF.jpg Read - Interview with Leanne Choi - Make it stand out Leanne Choi TRS: Pack up and Go, 2023, fashion, textile, and object Photography by Lucas Dawson Talent: Jenny Guo Head stylist: Karinda Mutabazi https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/96788548-5fcf-4697-83fb-3af3ab04087f/Image+04_Leanne+Choi_one+page+of+publication_21x29cm_2023.jpg Read - Interview with Leanne Choi - Trades & Trinkets Leanne Choi TRS: Pack up and Go, 2023, fashion, textile, and object Photography by Griffin Simm https://www.hoiszn.com/read/blog-post-title-four-724ls-2sprr monthly 0.5 2025-04-23 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/2b255eb9-50bf-4979-ba08-c483cae920c4/IMG_7618.jpeg Read - Growing a garden & growing a pair: On possibly leaving home - Trades & Trinkets Emily Song (a remembering of) Piano sonata no.18 in D major, k.576 I. Allegro, 2023–ongoing, embroidery on tulle https://www.hoiszn.com/read/blog-post-title-four-724ls monthly 0.5 2025-05-01 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/5347fd59-4710-4969-b513-f9844ff15752/IMG_2095.jpg Read - Balancing cultural traditions, practicality, and personal identity - Laura Young Trades & Trinkets, 2024, digital art by Laura Young https://www.hoiszn.com/read/art-meets-anatomy monthly 0.5 2025-05-23 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/f543a2f4-e916-4504-97dd-1f2302164a47/imposed_2_hoiszn.jpg Read - Art meets anatomy - Catherine Weng Michail Mathioudakis https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/29967a2b-a669-4f44-aef9-89090b8009e4/Catherine+weng+istonic.jpeg Read - Art meets anatomy - Make it stand out Catherine Weng Isotonic, 2023, oil on wood https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/bad6641e-6968-4a7e-a74d-65b84a124e76/solace.jpeg Read - Art meets anatomy - Catherine Weng Solace, 2023, textiles installation. https://www.hoiszn.com/read/breaking-the-cycle monthly 0.5 2025-05-23 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/44d2d171-3907-4f05-8a52-c3f2eeaa5b78/Jae+vita+%26+virginia+compressed+-+sammi.png Read - Breaking the cycle - Jae Trades & Trinkets, 2024, digital art by Laura Young https://www.hoiszn.com/read/behind-blue-walls monthly 0.5 2025-05-23 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/208a3144-6292-4fc8-afad-fcd2142995d4/brandonbyeongbeomkim-print-1.jpg Read - Behind blue walls - Make it stand out Byeongbeom (Brandon) Kim Cheong Wa Dae (Blue House), 2024, digital photography series https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/0ae7e455-47a2-4373-aa14-0a70ee474dec/brandonbyeongbeomkim-print-contactsheet-2.jpg Read - Behind blue walls - Make it stand out Byeongbeom (Brandon) Kim Cheong Wa Dae (Blue House), 2024, digital photography series https://www.hoiszn.com/read/blog-post-title-four-724ls-2sprr-n7k7h-949mx-jajmm monthly 0.5 2025-05-01 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/3faf5253-f95e-4bbc-ae9e-3b38a36d99f3/HOISZN+Issue+4-spread13.jpg Read - On Dizplay 004 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746109330597-SWI4I065HX5GML6LDINU/NATHAN+MAN+IMG_4112.jpg Read - On Dizplay 004 - Nathan Man BODYSNATCH 2024, mixed media BODYSNATCH explores notions of fetishisation and objectification, dissecting my personal perception of gender as it relates to self. Growing up in a religious household, with fluidity in gender expression came feelings of guilt and shame. Only since moving to Naarm two years ago have I been able to deconstruct my gender and sexuality. In BODYSNATCH I am seen borrowing from the erotic appearance of women – I explore cyanotype and screenprinting on textiles, print imagery of anime girls and pornography actresses onto intimate clothing like stockings, thongs, tank tops and briefs – quite literally wearing femininity as an outfit. I am however unable to fully embrace femininity as represented through shibari — being literally bound — unable to fully escape my upbringing and my past. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746109336345-03D97TVBEL6P0Y9H9LBQ/NATHAN+MAN+IMG_4265.jpg Read - On Dizplay 004 - Nathan Man BODYSNATCH 2024, mixed media BODYSNATCH explores notions of fetishisation and objectification, dissecting my personal perception of gender as it relates to self. Growing up in a religious household, with fluidity in gender expression came feelings of guilt and shame. Only since moving to Naarm two years ago have I been able to deconstruct my gender and sexuality. In BODYSNATCH I am seen borrowing from the erotic appearance of women – I explore cyanotype and screenprinting on textiles, print imagery of anime girls and pornography actresses onto intimate clothing like stockings, thongs, tank tops and briefs – quite literally wearing femininity as an outfit. I am however unable to fully embrace femininity as represented through shibari — being literally bound — unable to fully escape my upbringing and my past. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746109343359-I1KSFU9U61N3GNCNOF64/NATHAN+MAN+photo.png Read - On Dizplay 004 - Nathan Man BODYSNATCH 2024, mixed media BODYSNATCH explores notions of fetishisation and objectification, dissecting my personal perception of gender as it relates to self. Growing up in a religious household, with fluidity in gender expression came feelings of guilt and shame. Only since moving to Naarm two years ago have I been able to deconstruct my gender and sexuality. In BODYSNATCH I am seen borrowing from the erotic appearance of women – I explore cyanotype and screenprinting on textiles, print imagery of anime girls and pornography actresses onto intimate clothing like stockings, thongs, tank tops and briefs – quite literally wearing femininity as an outfit. I am however unable to fully embrace femininity as represented through shibari — being literally bound — unable to fully escape my upbringing and my past. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746109343548-ZF0H2XRFEARW2L6DQWL5/NATHAN+MAN+SAM_1351.jpg Read - On Dizplay 004 - Nathan Man BODYSNATCH 2024, mixed media BODYSNATCH explores notions of fetishisation and objectification, dissecting my personal perception of gender as it relates to self. Growing up in a religious household, with fluidity in gender expression came feelings of guilt and shame. Only since moving to Naarm two years ago have I been able to deconstruct my gender and sexuality. In BODYSNATCH I am seen borrowing from the erotic appearance of women – I explore cyanotype and screenprinting on textiles, print imagery of anime girls and pornography actresses onto intimate clothing like stockings, thongs, tank tops and briefs – quite literally wearing femininity as an outfit. I am however unable to fully embrace femininity as represented through shibari — being literally bound — unable to fully escape my upbringing and my past. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746109336788-9WYSJC4YRSBO5HEO4302/NATHAN+MAN+IMG_4102.jpg Read - On Dizplay 004 - Nathan Man BODYSNATCH 2024, mixed media BODYSNATCH explores notions of fetishisation and objectification, dissecting my personal perception of gender as it relates to self. Growing up in a religious household, with fluidity in gender expression came feelings of guilt and shame. Only since moving to Naarm two years ago have I been able to deconstruct my gender and sexuality. In BODYSNATCH I am seen borrowing from the erotic appearance of women – I explore cyanotype and screenprinting on textiles, print imagery of anime girls and pornography actresses onto intimate clothing like stockings, thongs, tank tops and briefs – quite literally wearing femininity as an outfit. I am however unable to fully embrace femininity as represented through shibari — being literally bound — unable to fully escape my upbringing and my past. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746109679438-ZD1HR6IQVX0Y95NDENFD/Andy+Li+-+Arthropunk+11x14+with+sig.jpg Read - On Dizplay 004 - Andy Li Arthropunk 2024, digital illustration Enter a surreal and fantastical world of symbiotic affinity between two outcast entities. Often considered a monstrous outlier of society, the punky human kinkster shares a tender connection with his arthropod friends, creatures similarly reviled in the animal kingdom. This idea came to me when I saw visual similarities between certain styles of leather kink gear and the anatomy and exoskeletons of various bugs. It was illustrated in Procreate. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746109673683-CZ52B4F7JJRFWX5QXBBM/Chiu+Two+of+cups.jpg Read - On Dizplay 004 - Chiu Two of cups 2024, digital illustration It is taboo for women to be sexually open in my country. One day I was chatting with an anonymous person on the internet and he told me "I love a shy girl who feels embarrassed when she's gonna be naked, because it sounds feminine”, "It will let me down if my gf is proactive during sex and tries to take initiative". One day I was chatting with an anonymous person online who told me that he liked shy girls who felt embarrassed to be naked because it was feminine and that he was disappointed when she was proactive and tried to take the initiative during sex. I have also seen situations where people have commented in the comments section of posts on the Internet where influencers are wearing revealing clothing, saying that it is “vulgar". However, it is common to consume porn videos and sex workers in Japan, and some of them will riot if the government ban all of them. Men want their partners to be shy, and passive in sex, but on the other hand, they consume and need women who are extremely open to sex such as porn stars or sex workers. This inconsistent situation should keep the satisfaction of women's sex life away. This artwork overlaps two images of women who take initiative during sex like queen bees, and doll-like women who are passive and cannot take any action in sex. Additionally, the title of this artwork "Two of Cups" is one of the minor cards of tarots. The card stands for satisfaction due to physical connection and happy romantic relationship in the upright position, Sexual discrepancies and One-way communication in the reverse position. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746110160434-2OZYZ82ILTQIV53FLAIS/prunella+Ong+The+Ming+Gap.jpg Read - On Dizplay 004 - Pruitart The Ming Gap 2024, digital illustration The Ming Gap refers to a period where the export of Chinese ceramics was banned during the Ming Dynasty. Incidentally, 'ming' sounds similar to 'name' in Mandarin. Being raised in a Singaporean Chinese family with expectations to follow Asian values in a Westernised world, I always felt a disconnect from my culture growing up. Migrating to Australia in adulthood added another layer of complexity, as I navigated the blending of cultures and the evolution of my identity. This artwork delves into the complex web of these taboos, reflecting on the tension between tradition and modernity. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746109679962-O2HGCBKE6NSFKK665H6F/Jasmine+trika.jpeg Read - On Dizplay 004 - Jasmine | moo moo milk Not your Asian doll 2024, digital artwork This artwork was inspired by a lingerie set I purchased from one of my favorite stores in Naarm, Candy’s Lingerie. I use the term 'doll' to symbolize how societal expectations attempt to control our behavior through narrow, stereotypical, and traditional norms. My drawing is dedicated to Asian women, non-binary individuals, and sex workers who confidently embrace their sexuality despite cultural pressures. It's frustrating to navigate these expectations while also combatting fetishization and labels like 'exotic' or 'oriental'. Through this piece, I celebrate our unique and beautiful features, rejecting outdated perceptions. I believe that everyone has the right to express themselves as fierce, sexy divas. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746110164694-SFD6Z1351WH5GSPA5JNM/Yoki+Zhou.jpeg Read - On Dizplay 004 - Yoki Zhou An Open Secret 2024, digital illustration As an immigrant coming from a conservative Chinese household, I often feel the disparity between how I act and how I am perceived in front of my parents and everyone else. When I'm outside, I am a carefree individual where I’m comfortable expressing my queer identity to friends and people around me without fearing any judgement or criticism. However, when I’m at home, a place that resembles love and protection, I have to hide the other half of myself. Text translation: “You have to find a boyfriend like this in the future.” “Why don’t you wear any dresses???” “Ask your friend to introduce you to some boys.” “I don’t accept gay relationships.” “Why do you need to stay over again???” https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746109684361-NXTNSJIEWRB0QTV7IZ4G/Yasuko+Toda_Wisteria+and+kudzu.jpg Read - On Dizplay 004 - Yasuko Toda Wisteria and kudzu 2024, digital artwork Wisteria and kudzu are both tangled vines, ensnaring the trellises they grow on with inextricable twisted tendrils. The Japanese word for conflict and discord (kattō, 葛藤) uses the characters for kudzu and wisteria to evoke a knotted, intractable mess. Such as one created by raising a taboo topic in polite company. Talking openly about politics is generally considered taboo in Japan, especially when you express your opinion strongly. Going with the flow is expected, and challenging power, punching-up — is forbidden. I find this very frustrating, especially compared to how freely I see others in Australia talking, and how freely I’m encouraged to discuss politics here. Even in Australia though, the Japanese community has imported its distaste for frank discussion of politics, and I even find myself holding back. Some of my acquaintances are very conservative, and sometimes by contrast I’m a crazy radical activist. So deeply I have internalised this taboo that even when I know all parties to a conversation are of the same opinion and nobody is likely to be uncomfortable, I am reluctant to raise the topic. It’s become part of my personality. It is a commitment of emotional energy to carefully consider the feelings of others when I just want to communicate something important to me, and so often I just avoid the subject. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746111150685-WW78AKDVK5DKR8IQ7FGE/Elise+Yumiko+Irezumi+A4.jpg Read - On Dizplay 004 - Elise Yumiko Irezumi 2024, watercolour on paper This piece portrays a woman with tattoos of a gentle, playful nature. It invites the viewer to question their biases and the importance they place on a woman’s purity, particularly in the context of Japanese culture. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746111160204-2ZIZ7N96OHMXH6Q0N7AF/XYCT+Pain+and+pleasure+-+christina+tan.jpeg Read - On Dizplay 004 - XYCT Pain and Pleasure 2024, photograph My pain was your pleasure. I tortured myself to please you. Only you didn’t do the same. photographer @3z22j hmua @c1nnna https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746111151051-ZHPMDTJR6EI127Q90YHS/Ginelle+Roxas+Decadent.jpeg Read - On Dizplay 004 - Ginelle Roxas Decadent 2024, digital artwork Decadent talks about over indulging in things that we know isn’t good for us (or were never allowed to do) because it feels so much more euphoric when it was something to rebel against. Even though we get judgmental looks from friends, parents and family, we still find a way to enjoy ourselves. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746111159294-YN8BFGS6VXCLRW7DL0VA/Ginelle+Roxas+I%E2%80%99m+Just+An+Object.jpeg Read - On Dizplay 004 - Ginelle Roxas I’m Just An Object 2023, digital illustration I’m Just An Object is about being viewed as a fetish for white men (but also kind of accepting it and using it to my advantage). https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746112175750-O9OZCT183EYDLPVXKLJ6/Jae+desire+-+sammi.jpg Read - On Dizplay 004 - Jae Untitled 2023, multimedia collage This piece wrangles with desire and a restlessness in wanting to indulge that desire. Use of red thread (mimicking heartstrings) stitches into the composition a bleeding vulnerability, and a crass price tag comically undersells the cost of such honesty — in truth, coming to terms with the one's want is much more expensive. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746112194625-LF9MX7Q0UTYM5XXSZ7AF/Jae+vita+%26+virginia+compressed+-+sammi.png Read - On Dizplay 004 - Jae Vita & Virginia 2021, multimedia collage Inspired by the love letters of Virginia Woolf and Vita Sackville-West, this prose and collage piece recognises queer hope and its persistence in spite of any suffering. So many of us struggle to push through the (often self-inflicted) shame, and yet we may remain "still gentle, still kind". This journal spread celebrates that. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746112200249-VXCTGOXSD9LQQZL6HONP/Jan+Siobhann+The+Kiss.png Read - On Dizplay 004 - Jan Siobhann The Kiss (of betrayal) 2024, digital artwork Inspired by The Kiss by Gustav Klimt, this piece depicts Judas Iscariot (left) and Jesus Christ (right) during the kiss of betrayal where Judas identifies Jesus to the Sanhedrin which results in Jesus’ crucifixion. This piece by Jan Siobhann was inspired by discussions of Klimt’s The Kiss — whether the woman depicted was leaning in or pushing away her kisser. Jan also thought about the Gospel of Judas where it is implied that Jesus and Judas were actually lovers. Judas was asked to betray Jesus as part of his ‘sacrifice’ — to lead his ‘lover’ to damnation in order to save the world. This piece of Gospel has been disproved but Jan thinks it’s an interesting take, nonetheless. Growing up, the artist was not allowed to question the religion she was brought up in. She had to take the bible as it was — no ‘if’s or ‘but’s. However, the interpretation of the bible is a continuous discussion between scholars and theologians. Its ‘lessons’ and meanings change overtime, based on what the Church sees fit. The artist rebells against this in her work, for everyone to interpret it as they see fit. Is Jesus leaning in or pushing away? https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746112619250-8ZB064GI4KODZ266CVT5/Seraphimblade_print+-+seraphimblade+tt.jpg Read - On Dizplay 004 - seraphimblade 1003rl☆ 2024, risograph print 1003rl☆ is a playful expression of queerness, intimacy, and tattooing through a dreamlike lens. Also a nod to my high school and early uni days spent scanning through stacks of J-fashion magazines; reading through sooo many girls' love manga; and bawling my eyes out from the crumbs of POC WLW films available at the time.. Then growing up to come out as queer, getting piercings, tattoos, dressing alternative/goth, and also becoming a tattoo artist? Absolutely heartbreaking and a harbinger of misfortune — according to my parents' WeChat University Certified™ knowledge. But I wouldn’t have it any other way ｡*:☆(・ω・人・ω・)｡:゜☆｡ https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746112631224-FWNRI92PZWVGDF36DA35/Remy+Eel+-+To+taste+the+fruit+that+binds+us+-+remyeel.png Read - On Dizplay 004 - Remy Eel To taste the fruit that binds us 2024, digital art https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746113071004-8WXPJOL2HUYM5NEIDT2L/FightForMe_2.png Read - On Dizplay 004 - Jason Yen Fight For Me 2024, music video stills My upcoming EP titled, BON VIVANT, is my debut one — and it is accompanied by a short 20 minute film. This short film is a collection of 6 visually unrelated music videos, but it is ultimately linked by a large overarching meta-narrative. This EP and film represents the culmination of a year of work: recording, writing, producing, filming and editing. My step towards pursuing a creative passion I believe is taboo in and of itself. It's cliche, but we all know Asian parents like to pigeonhole their second or even third generation children into certain life paths — to live vicariously through them and to make use of opportunities that were never offered to them. While my parents support my choice to pursue this in life — there is a still a deep-rooted belief that they are disappointed in me, and would rather me climb the professional ladder. I also recognise that this support, half-hearted or not, is an exception in Asian culture. I want to change that narrative. It should be the norm. Thematically, the songs in BON VIVANT cover a wide range of ideas. These include unfaithfulness, a self-destructive pursuit of hedonism, and the consequences of such. While these themes may be commonly talked about in other cultures, it's something I feel is looked down upon for us Asians. Before I began to open up discussions with my family, the only option I saw was to work hard, forego your years of social development and life enjoyment, and eventually reap the rewards decades into the future. For me — I don't want that at all and as such, BON VIVANT represents me fighting to regain my youth and claim these years for myself. I want to make memories now. The phrase "bon vivant" translates to "a person devoted to refined sensuous enjoyment". At its core its connotations are hedonistic and almost glutinous and that translates in both the film and the EP. One of my songs, OVERSTAY, is a story of infatuation caused by inebriation while I was on holiday - ultimately dealing with the fallout when I had to return home. This is reflected also in the music video. It was shot in Haneda airport in Japan — a deeply conservative and proud culture — with me subverting this by dancing poorly in an airport while people pass by. The second part of the video takes us to an underground club in Tokyo, access only granted to those in the know. With people high and their tattoos on display, the venue and scene is a physical manifestation of the taboo, a safe-space hidden from the "normal world" for people to let loose and express themselves freely. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746113071810-9CPGFQMA5O30F5LFYN3J/FightForMe_3.png Read - On Dizplay 004 - Jason Yen Fight For Me 2024, music video stills My upcoming EP titled, BON VIVANT, is my debut one — and it is accompanied by a short 20 minute film. This short film is a collection of 6 visually unrelated music videos, but it is ultimately linked by a large overarching meta-narrative. This EP and film represents the culmination of a year of work: recording, writing, producing, filming and editing. My step towards pursuing a creative passion I believe is taboo in and of itself. It's cliche, but we all know Asian parents like to pigeonhole their second or even third generation children into certain life paths — to live vicariously through them and to make use of opportunities that were never offered to them. While my parents support my choice to pursue this in life — there is a still a deep-rooted belief that they are disappointed in me, and would rather me climb the professional ladder. I also recognise that this support, half-hearted or not, is an exception in Asian culture. I want to change that narrative. It should be the norm. Thematically, the songs in BON VIVANT cover a wide range of ideas. These include unfaithfulness, a self-destructive pursuit of hedonism, and the consequences of such. While these themes may be commonly talked about in other cultures, it's something I feel is looked down upon for us Asians. Before I began to open up discussions with my family, the only option I saw was to work hard, forego your years of social development and life enjoyment, and eventually reap the rewards decades into the future. For me — I don't want that at all and as such, BON VIVANT represents me fighting to regain my youth and claim these years for myself. I want to make memories now. The phrase "bon vivant" translates to "a person devoted to refined sensuous enjoyment". At its core its connotations are hedonistic and almost glutinous and that translates in both the film and the EP. One of my songs, OVERSTAY, is a story of infatuation caused by inebriation while I was on holiday - ultimately dealing with the fallout when I had to return home. This is reflected also in the music video. It was shot in Haneda airport in Japan — a deeply conservative and proud culture — with me subverting this by dancing poorly in an airport while people pass by. The second part of the video takes us to an underground club in Tokyo, access only granted to those in the know. With people high and their tattoos on display, the venue and scene is a physical manifestation of the taboo, a safe-space hidden from the "normal world" for people to let loose and express themselves freely. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746113088133-0MJ3EINVO5L4MDN96BET/RealOne_2.png Read - On Dizplay 004 - Jason Yen Real One 2024, music video stills My upcoming EP titled, BON VIVANT, is my debut one — and it is accompanied by a short 20 minute film. This short film is a collection of 6 visually unrelated music videos, but it is ultimately linked by a large overarching meta-narrative. This EP and film represents the culmination of a year of work: recording, writing, producing, filming and editing. My step towards pursuing a creative passion I believe is taboo in and of itself. It's cliche, but we all know Asian parents like to pigeonhole their second or even third generation children into certain life paths — to live vicariously through them and to make use of opportunities that were never offered to them. While my parents support my choice to pursue this in life — there is a still a deep-rooted belief that they are disappointed in me, and would rather me climb the professional ladder. I also recognise that this support, half-hearted or not, is an exception in Asian culture. I want to change that narrative. It should be the norm. Thematically, the songs in BON VIVANT cover a wide range of ideas. These include unfaithfulness, a self-destructive pursuit of hedonism, and the consequences of such. While these themes may be commonly talked about in other cultures, it's something I feel is looked down upon for us Asians. Before I began to open up discussions with my family, the only option I saw was to work hard, forego your years of social development and life enjoyment, and eventually reap the rewards decades into the future. For me — I don't want that at all and as such, BON VIVANT represents me fighting to regain my youth and claim these years for myself. I want to make memories now. The phrase "bon vivant" translates to "a person devoted to refined sensuous enjoyment". At its core its connotations are hedonistic and almost glutinous and that translates in both the film and the EP. One of my songs, OVERSTAY, is a story of infatuation caused by inebriation while I was on holiday - ultimately dealing with the fallout when I had to return home. This is reflected also in the music video. It was shot in Haneda airport in Japan — a deeply conservative and proud culture — with me subverting this by dancing poorly in an airport while people pass by. The second part of the video takes us to an underground club in Tokyo, access only granted to those in the know. With people high and their tattoos on display, the venue and scene is a physical manifestation of the taboo, a safe-space hidden from the "normal world" for people to let loose and express themselves freely. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/1746113091260-L9LZWF0KJAXOK5RJUNQP/RealOne_3.png Read - On Dizplay 004 - Jason Yen Real One 2024, music video stills My upcoming EP titled, BON VIVANT, is my debut one — and it is accompanied by a short 20 minute film. This short film is a collection of 6 visually unrelated music videos, but it is ultimately linked by a large overarching meta-narrative. This EP and film represents the culmination of a year of work: recording, writing, producing, filming and editing. My step towards pursuing a creative passion I believe is taboo in and of itself. It's cliche, but we all know Asian parents like to pigeonhole their second or even third generation children into certain life paths — to live vicariously through them and to make use of opportunities that were never offered to them. While my parents support my choice to pursue this in life — there is a still a deep-rooted belief that they are disappointed in me, and would rather me climb the professional ladder. I also recognise that this support, half-hearted or not, is an exception in Asian culture. I want to change that narrative. It should be the norm. Thematically, the songs in BON VIVANT cover a wide range of ideas. These include unfaithfulness, a self-destructive pursuit of hedonism, and the consequences of such. While these themes may be commonly talked about in other cultures, it's something I feel is looked down upon for us Asians. Before I began to open up discussions with my family, the only option I saw was to work hard, forego your years of social development and life enjoyment, and eventually reap the rewards decades into the future. For me — I don't want that at all and as such, BON VIVANT represents me fighting to regain my youth and claim these years for myself. I want to make memories now. The phrase "bon vivant" translates to "a person devoted to refined sensuous enjoyment". At its core its connotations are hedonistic and almost glutinous and that translates in both the film and the EP. One of my songs, OVERSTAY, is a story of infatuation caused by inebriation while I was on holiday - ultimately dealing with the fallout when I had to return home. This is reflected also in the music video. It was shot in Haneda airport in Japan — a deeply conservative and proud culture — with me subverting this by dancing poorly in an airport while people pass by. The second part of the video takes us to an underground club in Tokyo, access only granted to those in the know. With people high and their tattoos on display, the venue and scene is a physical manifestation of the taboo, a safe-space hidden from the "normal world" for people to let loose and express themselves freely. https://www.hoiszn.com/read/the-boundaries-of-beauty monthly 0.5 2025-11-11 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/eb9d1be3-c148-4f09-b4f9-0a4b6a9b2a73/fukaisaki9.JPG Read - The boundaries of beauty - Naiya Sornratanachai Michail Mathioudakis https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/5ee6c450-0ee9-4e76-81f6-9e4bdea44277/fukaisaki11.JPG Read - The boundaries of beauty - Naiya Sornratanachai 深い咲き fukaisaki11, 2020, digital photography. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/93de844c-c91e-4f28-ac4d-3b403b6a3df2/fukaisai1.JPG Read - The boundaries of beauty - Naiya Sornratanachai 深い咲き fukaisaki1, 2020, digital photography. 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https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/f99b12ab-9846-4835-a441-ee236d8ad1a0/727077723.657878.jpg Read - Dragged from the shadows - Michail Mathioudakis Behind the scenes of VESTIGE – Autoerotic, 2024, photograph. https://www.hoiszn.com/read/between-tradition-and-trend monthly 0.5 2025-11-11 https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/85e6d5a5-f334-428e-915f-4fd0ad6f2aac/Nathan-Barradas-3.JPG Read - Between tradition and trend - Nathan Barradas Trades & Trinkets, 2024, digital art by Laura Young https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/cac1ae54-39f2-44d0-8279-90e6339e5d63/Blackpatota+IMG_4364.PNG Read - Between tradition and trend - Bittersvveetheart The Year of the Dragon, 2024, tattoo ink on skin. https://images.squarespace-cdn.com/content/v1/680484773d684a4c0507951e/f80eb801-18d6-453a-8ee3-76917f8b55b2/Siningonyou+Mary+Salvador+01.jpeg Read - Between tradition and trend - Siningonyou Back tattoo, 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